| 新时期以来中国大陆抗日题材影视喜剧研究 |
| Alternative Title | The Research of Mainland China’s Anti-Japanese Film and Television Comedies since the New Period
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| 张栋 |
| Thesis Advisor | 冯欣
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| 2016-05-20
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| Degree Grantor | 兰州大学
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| Place of Conferral | 兰州
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| Degree Name | 硕士
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| Keyword | 抗日
影视喜剧
中国大陆
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| Abstract | 喜剧，是一种给人愉悦的艺术形式，同时又有着丰富的艺术内涵。喜剧也同样是一种生活态度，教会人们以一种健康的姿态面对人生。
抗日题材影视喜剧作为喜剧的一种形式，在中国大陆有着比较大的影响力，其真正的发展在新时期之后。抗日题材影视喜剧将严肃题材作喜剧化处理，不仅是对喜剧表现内容的扩大，而且在表现形式上也作了开拓，使喜剧艺术在新的历史条件下有进一步发展的可能。诸多的抗日题材影视喜剧创作者，以不断更新的艺术观念指导创作，刷新观众对于抗日战争这段历史的认知，使观众在鉴赏喜剧艺术的同时，也产生更为多元的历史观念。
本文意在对新时期以来的抗日题材影视喜剧作详细的分析研究。对这一类型喜剧创作过程进行梳理，并作出科学的历史定位。同时分析其创作特色，在归纳诸多作品在本质特色上表现出的趋同性之外，亦着重点出其丰富的类别特征。本文总结出新时期以来抗日题材影视剧创作的成绩，但也不回避其创作缺失。总体来说，这一艺术类型提交了一份勉强合格的答卷，在喜剧性的呈现方面，却是异样的。但是，其升华空间依然存在，在喜剧原则的坚守、悲剧式体验及喜剧高级阶段的提升方面，抗日题材影视喜剧仍有广大的发展空间。 |
| Other Abstract | Comedy, a kind of artistic form which gives pleasure to people, has rich artistic connotation. Comedy is also an attitude of life, teach people face life in a healthy attitude .
As a kind of comedy,Anti-Japanese Film and Television comedies have a relatively large influence in the mainland of China, its real development is after the new period. Anti-Japanese Film and Television comedies optimize serious subject matter, is not only the expansion of comedy performance of the content, but also the form of expression, which makes the comedy art have the possibility of further development under the new historical conditions. Many creators of the Anti-Japanese Film and Television comedies, guide their creation with continuously updating artistic ideas, refresh audience’s awareness of the Anti-Japanese war in the history.In this way,when the audience appreciate the art of comedy,they also produce more pluralistic concept of the history.
This paper intends to make a detailed analysis and Research on the Anti-Japanese Film and Television comedies since the new period. To sort out the creative process,and make a scientific historical position for this art type. As for the characterstic of creation,these works not only show some kind of convergence in the essential characteristic, but also have rich category characteristic. This paper not only summarizes the performance of Anti-Japanese Film and Television comedies since the new period, but also do not avoid the lack of creation.In general, this type of art submitted a barely qualified answer, but in the aspects of the comedy show, it is abnormal.Even though it is,there still has sublimation space for the comedy.In some respects,such as the adherence to the principle of comedy,the tragic experience and the promotion to the advanced stage of comedy, Anti-Japanese Film and Television comedies still has big room to develop. |
| URL | 查看原文
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| Language | 中文
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| Document Type | 学位论文
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| Identifier | https://ir.lzu.edu.cn/handle/262010/227689
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| Collection | 文学院
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Recommended Citation
GB/T 7714 |
张栋. 新时期以来中国大陆抗日题材影视喜剧研究[D]. 兰州. 兰州大学,2016.
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