| 弗利尔搜集中国文物过程研究 | |
| Alternative Title | A Study on Freer's Process of Collecting Chinese Cultural Relics |
| 王春悦 | |
| Subtype | 硕士 |
| Thesis Advisor | 王冀青 |
| 2021-05-23 | |
| Degree Grantor | 兰州大学 |
| Place of Conferral | 兰州 |
| Degree Name | 史学硕士 |
| Degree Discipline | 考古学 |
| Keyword | 弗利尔 惠斯勒 费诺罗萨 东亚艺术 中国文物收藏 |
| Abstract | 十九世纪中后期以来，国际间的文物流通越发频密，大量中国文物流散至各国，与之对应，海外中国艺术品收藏也渐成规模，美国著名东亚文物收藏家查尔斯·朗·弗利尔即是其中翘楚。弗利尔接续受到惠斯勒、费诺罗萨、劳费尔等艺术家、汉学家、考古学家的影响，经历了视野从欧洲移动到东方、由日本关注到中国的过程，并分别在1895年、1907年、1909年和1910至1911年四次赴华旅行和考察。笔者拟通过对弗利尔日记、史密森尼学会藏档案等相关文献史料加以分析，并结合弗利尔美术馆藏文物等实物资料，梳理弗利尔的学术背景、在华旅行史和收藏史，整理其旅行、收藏和考察的活动轨迹，对其所收购的文物之流散经历按图索骥，分析以弗利尔为代表的近代收藏家与学术界、文物市场之间的关系，呈现文物外流与收藏的模式和运作机制，展示海外中国文物收藏形成的过程及考古学在其中的重要作用。文章主要从以下五个章节进行论述： 绪论部分回顾了弗利尔的收藏史概况，对中外学人对弗利尔数次中国旅行、收藏和考察活动和弗利尔的中国文物收藏的研究成果进行了简要爬梳，整理、分析研究现状与研究空间，阐明文章的研究意义、思路和方法。 第一章分析了十九世纪末二十世纪初美国的东亚艺术研究与文物收藏的情况，以此为基础，论述弗利尔投身于文物收藏的肇始、社会背景和审美偏好。 第二章以时间为线索论述受到惠斯勒和费诺罗萨的美术学、考古学理论的影响，分别于1895年、1907年两次在中国的旅行和文物收藏活动及相关成果。 第三章依照时间线索论述弗利尔在1909、1910-1911年间在中国的旅行、收藏和考察活动，通过弗利尔在华期间与端方和福开森等人的交往情况、文物收藏情况、馆藏编号为F1917.396.1的玉器流散过程、对龙门石窟和巩县石窟等史迹的游览考察等内容进行分析，展现弗利尔在华旅行、收藏和考察的情况，呈现弗利尔中国文物的收藏模式与运作机制及其所受到的考古学的影响。 结语部分对文章的研究结果进行整体的梳理、归纳和总结。 |
| Other Abstract | Since the middle and late 19th century, the international circulation of cultural relics has become more and more frequent, and a large number of Chinese cultural relics have been dispersed to various countries. Correspondingly, overseas Chinese art collections have gradually become large-scale, among which Charles Lang Freer, the American EastAsiancultural relics collector, is one of the most famous.Under the influence of artists, sinologists and archaeologists, such as James McNeill Whistler, Ernest Fenollosa and Berthold Laufer, Freerhas gone through the process of moving his interestsfrom Europe to the EastAsianand paying more attention to China from Japan. He respectivelytraveled to China in 1895,1907,1909 and 1910-1911. On the basis of the analyzingthe relevant literature and historical materials such as Freer’sdiary and the archives of the Smithsonian Institute, combingwith the thoserelics collected in Freer Gallery of Arts, the author intends tosort outFreer’s academic background, travelling and collectinghistory in China, and then sort out the trajectory of his travel, collection and investigation,analyze the relationship between the modern collectors represented by Freerand the academic community, also the relationship with the cultural-relicscollectingmarket. Then figure out the mode and operation mechanism of cultural relics outflow and collection, show the formation process of overseas Chinese cultural relics collection and the important role of archaeology.The article mainly discusses from the following five parts : The introductionreviews the general processof Freer's cultural relics collectinghistory, briefly reviewsthe research results of both Chinese and foreign scholars on Freer’sseveral trips, collection and investigation activities in China and his collection of Chinese cultural relics, then analyzes the research status and research space, and expounds the research significance, ideas and methods of this article. The chapter one analyzes the situation of East Asian art research and cultural relics collection in the United States at the end of the 19th century and the beginning of the 20th century. On this basis, this chapter discusses the beginning, social background and aesthetic preference of Freer’s involvement in cultural relics collection. The chapter two takes time as a clue, discusses Freer’s the first two trips, cultural relics collection activities and related achievements in China in 1895 and 1907 under the influence of art and archeology theories though by Whistler and Fenollosa. Thechapter threediscusses Freer’s travel, collecting programsand investigation activities in China during 1909 and 1910-1911 along the time line. Through the analysis of Freer’s communication with Duanfang, John Ferguson and other famous collectors, the collection of cultural relics, the circulation process ofajadeobjects numberedasF1917.396.1, and the sightseeing and investigation of historical sites such as Longmen Grottoes and Gongxian Grottoes, it shows Freer’s history of travel, collection and investigation in China, and his collection mode and operation mechanism of Chinese cultural relics and the influence of archeology. The conclusionsummarize the research results of the article. |
| Pages | 99 |
| URL | 查看原文 |
| Language | 中文 |
| Document Type | 学位论文 |
| Identifier | https://ir.lzu.edu.cn/handle/262010/462685 |
| Collection | 历史文化学院 |
| Affiliation | 历史文化学院 |
| First Author Affilication | School of History and Culture |
| Recommended Citation GB/T 7714 | 王春悦. 弗利尔搜集中国文物过程研究[D]. 兰州. 兰州大学,2021. |
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